Lord of the Rings: The Animated Musical | Races: Men, Part 1
As someone who typically will not read a book or watch a movie with too many men — one reason I dislike Chariots of Fire while acknowledging that it deserves to be considered a technically and culturally significant film — The Lord of the Rings is a notable exception. The main cast of Nine Walkers have all been assigned male pronouns in J.R.R. Tolkien’s “translation” into English from Westron, and more on the technicalities of gendered language will appear in upcoming posts for the Appendixes on languages in Middle-earth. Yet female characters regularly have greater magical power or preternatural ability than their male counterparts: Galadriel was the greatest of the Ñoldor Elves, Arwen influenced Aragorn to reunite an empire, Eowyn killed the Witch-King, and even Rosie Cotton implied she could predict the future, telling Sam upon his return to the Shire, “I’ve been expecting you since the Spring” ( The Return of the King , 312).