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Lord of the Rings: The Animated Musical | Architecture: Bag End

In this week’s essay, my loves of historic house tours and The Lord of the Rings combine for the first time as I present my map of Bag End, also spelled Bag-End by the older generations of Hobbits. Since Tolkien was a philologist, it is fitting to take a brief break to explain the naming scheme around the property, along with the clan name of the family who built it. Tolkien studies expert Tom Shippey noted in The Road to Middle-earth that “bag-end” is a literal translation of “cul-de-sac”, which was further elaborated upon by Wayne G. Hammond and Christina Scull in Reader’s Companion . The current meaning of a road terminating at a house or collection of houses dates from 1819.

Lord of the Rings: The Animated Musical | Framing Device

In my first essay after my winter holiday hiatus, I begin a new chapter to Lord of the Rings: The Animated Musical where I describe the process of research and producing a hypothetical adaptation of the bestselling book series by British linguist J.R.R. Tolkien. At last, I will begin presenting selections of dialogue and music to accommodate the concept art that I began creating in 2024. Composers commonly make demo recordings of their work using themselves or their friends as the performing artists, from “I’m in the Middle of a Muddle” for the 1950 Disney animation Cinderella sung by middle-aged male songwriters Mack David , Al Hoffman , and Jerry Livingston instead of a peppy young woman like the title character, or an early version of “How Far I’ll Go” for the 2016 Disney animation Moana sung by Broadway star Phillipa Soo , a close friend of its songwriter Lin-Manuel Miranda , since her voice perfectly matched the protagonist. But before I reveal my own demo reel, I ne...

Lord of the Rings: The Animated Musical | Races: Valar, Part 3

This week is my third and final installment about Valar, the archangels or major gods of Tolkien’s Legendarium, along with my last blog post before my winter break. In the first post of this mini-series, I covered five of the most powerful Valar, also known as Aratar: Manwë, Varda, Ulmo, Yavanna, and Aulë. In the second post, I reviewed the three final Aratar and their spouses: Mandos, Vairë, Nienna, Oromë, and Vána. This week has no Aratar, but that does not make these Valar any less fun. This quintet represents dreams, health, wrestling, dancing, and chaos. Just as during the last two installments, each of these characteristics appeared in pagan pantheons of the Western world along with religions across the globe and even modern pop culture.

Lord of the Rings: The Animated Musical | Races: Valar, Part 2

This is my second week talking about Valar, the archangels or major gods of the Legendarium. In this post, I will cover the final three Aratar or most powerful Valar along with their spouses: Mandos, Vairë, Nienna, Oromë, and Vána. This quintet of Valar is less happy than the set from last week. While the previous five represented kings, queens, the sea, nature, and smithing, this new group personified death, fate, grief, hunting, and more nature. Each of these characteristics were found across Western pantheons in the years before the Christianization of Europe, and many occur in religions outside the West. The popularity of these somber deities showed how people from any walk of life must face its grim realities: everyone will eventually die. Mandos As the Vala who kept the Houses of the Dead, Mandos or Namo was Aratar #6. His “family” was larger than most Valar, since he had a younger sister Nienna and a younger brother Lorien. The brothers even had a special na...

Lord of the Rings: The Animated Musical | Races: Valar, Part 1

I previously created illustrations for some Maiar, who act as a combination of angels and minor gods in the Legendarium. This week and for the next two weeks, I will talk about Valar, similar to archangels and major gods. This is a slight deviation from what I originally mentioned at the end of “Appendix F, II On Translation” but between the essays getting a bit too long of late, the end-of-year holiday season in full swing, and having an actual job plus side business, I thought a more relaxed pace would be a decent course of action. While only a few members of this race were mentioned in The Lord of the Rings , much information on Valar comes from “Valaquenta” in The Silmarillion . Some groups of Valar considered themselves siblings, perhaps because they were made by Ilúvatar at the same time or with a similar appearance. Spouses apparently did not consider themselves siblings, unlike Greco-Roman gods who had no issue with incest. The top eight Valar were called the Arata...

Lord of the Rings: The Animated Musical | Christopher Tolkien Centenary Conference

On Saturday, November 23 and Sunday, November 24, I attended the two-day webinar, the Christopher Tolkien Centenary Conference hosted by the Tolkien Society via Zoom. Past readers of the blog know that I am a big fan of conferences, both in-person and virtual, so this was a great opportunity to combine my love of intense learning events with my research for the hypothetical animated musical. Even as someone on the younger end of attendees, I felt right at home through the friendly chat, the generous speakers, and my extensive knowledge of the Legendarium. Here are my favorite highlights from each talk, minus anything that seemed to be proprietary information. Any mistakes are likely because I have been up since 4:45 a.m. watching this conference. For naming conventions, as said succinctly by James Tauber, “It’s become a common convention in Tolkien studies to use Tolkien to refer to the father and Christopher to refer to the son”, so I will do the same in this summary. Sa...