Abby Epplett, Historian

This week is my third and final installment about Valar, the archangels or major gods of Tolkien’s Legendarium, along with my last blog post before my winter break. In the first post of this mini-series, I covered five of the most powerful Valar, also known as Aratar: Manwë, Varda, Ulmo, Yavanna, and Aulë. In the second post, I reviewed the three final Aratar and their spouses: Mandos, Vairë, Nienna, Oromë, and Vána. This week has no Aratar, but that does not make these Valar any less fun. This quintet represents dreams, health, wrestling, dancing, and chaos. Just as during the last two installments, each of these characteristics appeared in pagan pantheons of the Western world along with religions across the globe and even modern pop culture.

I previously created illustrations for some Maiar, who act as a combination of angels and minor gods in the Legendarium. This week and for the next two weeks, I will talk about Valar, similar to archangels and major gods. This is a slight deviation from what I originally mentioned at the end of “Appendix F, II On Translation” but between the essays getting a bit too long of late, the end-of-year holiday season in full swing, and having an actual job plus side business, I thought a more relaxed pace would be a decent course of action. While only a few members of this race were mentioned in The Lord of the Rings , much information on Valar comes from “Valaquenta” in The Silmarillion . Some groups of Valar considered themselves siblings, perhaps because they were made by Ilúvatar at the same time or with a similar appearance. Spouses apparently did not consider themselves siblings, unlike Greco-Roman gods who had no issue with incest. The top eight Valar were called the Arata...

This week, I introduce the rest of the Maiar, each of whom represents part of the environment or a craft. This was no different than deities in real-world religions and mythologies, where ancient people believed that the sun, moon, and sea were sentient, while agriculture was controlled by a god, and smithing was taught to humans by a higher power. Many polytheist cultures have multiple gods with overlapping areas of rule. I have chosen to focus on those who appear to be the most popular and most powerful based on scholarly research. Many academic articles are written by researchers from outside the culture that they describe and accordingly may contain errors, which are passed along to me. Additionally, cultures with large populations and cultures from the West are overrepresented, meaning that I can easily find high quality research on these gods but not gods from smaller and non-Western religions. I have done my best to include a variety of religions in this essay but do con...

While Appendix D is named for the Shire Calendar, this section actually covers calendars from multiple Middle-earth cultures spanning thousands of years. The construction of these calendars presented an unresolved mystery: why were they so similar to modern Western calendars? A real-world explanation was that Tolkien was most familiar with the Gregorian calendar, but a Middle-earth explanation was more complex.

While in Mansfield, MA last Sunday — July 14, 2024 — I made several quick history stops around the Town Common. Like many New England towns, stops included municipal buildings such as the Town Hall and former town library, a classic New England church, and memorials for soldiers and firefighters located around a central green, while the Old Town Cemetery was located across the street.

Do you enjoy reading convoluted histories of transcribed and translated documents with discrepancies between surviving copies and a missing original manuscript? Then look no further than The Red Book of Westmarch , also known at The Red Book of Periannath , which is the fiction origin of The Hobbit , The Lord of the Rings , and possibly other works by J.R.R. Tolkien, including parts of The Silmarillion . A highly detailed explanation concerning the creation of this manuscript and its early copies is given in “Note on the Shire Records”, the final section of the Prologue found in The Lord of the Rings: Part One The Fellowship of the Ring . While the confusing contents of this two-and-a-quarter page explanation have been reviewed elsewhere, I will take a few paragraphs to explain what fictitious books were presumably used in Tolkien’s “translation”, the framing device for the work. Then, I will cover a few rediscovered works in the real world, along with several historical hoaxes...