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Lord of the Rings: The Animated Musical | Appendix F, I The Languages & Peoples of the Third Age

At last, I have arrived at the final appendix! Appendix F is divided into two parts with the first covering the languages spoken by the many peoples of Middle-earth during the Third Age, and the second covering Tolkien’s method of “translation” for those languages. Even to the end, Tolkien maintained his character as a typical early to mid-20 th century translator. Elvish and Mannish languages in Arda evolved along similar paths as real-world Indo-European languages with the development of a common speech, pidgins and creoles from the merger of two or more languages, categorization of languages as high or low based on the social status of the speakers, codeswitching and reappropriation of slurs, and languages falling out of use to become lost.

Lord of the Rings: The Animated Musical | Races: Maiar, Wizards & Balrogs

During this week and next week, I am taking a brief break from the appendixes to create more illustrations for the people of Middle-earth. I will focus on Maiar, a Race of angel-like or god-like beings who traveled as invisible spirits or took a wide range of physical forms. While this term did not appear in The Lord of the Rings , many Maiar appeared in the text, and explanations of Maiar and their powers were given in The Silmarillion . Wizards and balrogs will appear this week, while Maiar symbolizing the environment and crafts will appear next week.

Lord of the Rings: The Animated Musical | Appendix E: Writing & Spelling, I Pronunciation

The first part of “Appendix E: Writing and Spelling”, focused on pronunciation. I am notoriously bad at pronouncing words that I only know by sight, some of my favorites being liaison, epitome, Yosemite, and mischievous. Because I learned most of my vocabulary from reading, I rarely heard more difficult words pronounced aloud until high school or college, when I learned the hard way that what I heard in my head was not the generally accepted way to say the word. I tended to think my linguistic snafus were pretty funny.

Lord of the Rings: The Animated Musical | Races: Orcs

Universally disliked by the Free People of Middle-earth, Orcs seemed to exist only to kill and destroy, and yet these people presented a moral dilemma: if orcs were truly evil and not human, they deserved death; however, if they showed an understanding of good and evil, even if they repeatedly did wrong, then targeting them was a race-based genocide. Tolkien was uncomfortable with the concept of his heroes being racist towards their enemies, yet the heroes were frequently racist towards each other, so this was not what set apart their treatment of orcs. The key difference was that orcs could be killed without repercussions. While Elves participated in kinslayings, Dwarves and Elves fought each other, and Men joked about hunting Hobbits, these actions were eventually seen as reprehensible, while the mass killing of orcs was viewed as acceptable, even a game.

Lord of the Rings: The Animated Musical | Appendix A, III Durin’s Folk

After weeks of anticipation, we finally arrive at everyone’s favorite section, “Appendix A, II Durin’s Folk”, where readers receive a taste of Dwarf history and culture. While many readers gravitate towards Elves or Hobbits when choosing their favorite fantasy Race of Middle-earth, I have always preferred the Dwarves. What was not to love about the murder munchkins, who were as prepared to make jewelry or go spelunking as hack up their enemies with an ax? More Dwarf stories are found in The Silmarillion , as alluded to in the opening paragraph of this section, but here the reader finds context for the events in The Hobbit along with stories from the Line of Durin, or Dwarves descended from the first Dwarf awakened, and accordingly considered the most politically powerful group. Dwarves in European literature have not always taken on the sometimes delightful, sometimes tragic tone of Dwarves in Tolkien’s books. Historically, their stories have contained antisemitic underton...

Lord of the Rings: The Animated Musical | Appendix A, I The Númenórean Kings, (v) The Tale of Aragorn and Arwen

After several weeks of somewhat dry lists and dates, I arrive at a story with dialog! The full name of this section is “(v) Here Follows Part of the Tale of Aragorn and Arwen”. The text existed in-universe as a longer body of work, but only a portion was appended to The Red Book of Minas Tirith , then copied into the Thain’s Book , part of the Shire Records that I discussed several weeks ago . As the title suggests, the section gives a short biography of Aragorn with a special focus on his relationship with Arwen Undómiel. The storyline of this section paralleled aspects of real-world history and culture including marriage customs, elves and fairies in folklore, royal standards or flags, epic poetry, and religious allegory. Age of First Marriage and Fairy Foster Father The section opens with Arathorn son of the chieftain Arador seeking a wife and wanting none but Gilraen the Fair. The one problem was that Arathorn was fifty-six years old, and Gilraen “had not reached th...