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Showing posts with the label Great Britain

Lord of the Rings: The Animated Musical | Masters & Servants

The Lord of the Rings was originally written as an exercise in speculative linguistics, and Tolkien scholars enjoy discussing the invented languages, unique words, and antiquated concepts found in the text. Of the many words and phrases that may bring discomfort to the modern reader because of the evolution of language and changing social attitudes is one of Sam’s favorite words: master. While a thesaurus might list “boss” or “manager” as synonyms, “master” connotates feudalism in Europe and slavery in the Americas. Interestingly, the negative connotation seems to have arisen after these periods due to the Nazi Party declaring whites a “master race” during the Holocaust, changes in Western social structure after World War II, and the rise of social movements during the 1960s and 1970s. The word was part of daily language from the 16 th to early 20 th century, as a boy of an upper class family or a man of low social status were given the title “master” opposed to the higher ...

Lord of the Rings: The Animated Musical | Rules of the Shire

Hobbits loved straightforward rules as long as these supported their interests of food, music, walks, and other simple but fun activities. Their society appeared to be governed by three sets of regulations: written laws similar to those in a medieval feudalist government; unwritten social norms similar to those found in the European Middle Ages, Regency period, and Victorian period; and animal-like behaviors not exhibited by the other “races” in Tolkien’s legendarium. While the rules maintained social order and allowed the hobbits to enjoy their favorite things, including walks, conversation, and smoking, these also excluded some individuals from social participation and upward mobility, not unlike the exclusion of individuals in the Real World. This also created the opportunity for individuals with social power and understanding to subvert the rules to their own advantage, perhaps leading to positive changes.

Lord of the Rings: The Animated Musical | Characters: Wealthy Hobbits of the Late Third Age

During the early 19 th century, also known as the Regency era in Great Britain, clothing mimicked contemporary events in Europe, including revolutions and building empires. People were inspired by similar events in classical history such as Athenian democracy and the Roman Empire. Northwestern European scholars had long appropriated the history of the Mediterranean as their own past, but this was the first time the mythology had gone mainstream. The beginning of print culture , or the mass production of written documents including books, allowed the noble and merchant classes to own their own copies of The Odyssey and The Iliad , albeit with varying accuracy in translation, while the display of marble statues at public institutions like our old friend the British Museum allowed the general public to see how their favorite heroes may have looked. This interest in the ancient world continues today, as the so-called Elgin Marbles from the Parthenon have been on display in the m...

Lord of the Rings: The Animated Musical | Hobbit Foods

I last compared Bilbo’s eleventy-first birthday to famous parties in the summary of Book I, Chapter 1 “A Long-Expected Party” , where I referenced biblical celebrations, parties gone wrong in France, PR stunts in Ancient China, and exclusive musical scores in Great Britain. This installment focuses on what the hobbits might have eaten at that party. While discussing “Prologue, 3 On the Ordering of the Shire” , I determined that hobbits appeared to live in two timelines with their political system and architecture reflecting the early 17 th century or post-medieval period while their technology, interior design, and fashion reflected the early 19 th century or Industrial Revolution. Their foods likewise are split into different time periods, with some staples being invented during ancient times in the Real World, others appearing in Europe due to the trade of the late medieval period, and still others dating from the Victorian era or mid- to late 19 th century. As the self-pr...

Lord of the Rings: The Animated Musical | Middle-earth Psychology: Case Study #3

The third installment to my miniseries on the psychology of major characters in The Lord of the Rings will focus on Samwise Gamgee, later called Sam Gardner, who is considered the deuteragonist or secondary main character in the text. Unlike Bilbo and Frodo Baggins who enjoyed an enormous amount of privilege as part of the wealthy, educated elite, Sam and his family were among the lowest in the social hierarchy. Because of this disparity in status, Sam’s apparent psychological conditions were treated differently by the community than those of Bilbo and Frodo. While the Bagginses were explicitly called “mad” and “queer” for their behavior, attitudes towards Sam were less harsh. Mocking the Bagginses may have been the one way the ‘rustic’ hobbits could have an advantage over their ‘betters’, while Sam seemed to be considered another one of the villagers despite his differences.

Lord of the Rings: The Animated Musical | Places: Hobbiton

This is the final essay before I begin my analysis of the dialogue portion of The Lord of the Rings . I hope to begin moving more quickly through the text now that I have laid a solid foundation and framing to my metaphorical house, but seeing as I tend to overanalyze, I cannot promise any amount of speed. Today I discuss Hobbiton, the famous hometown of Bilbo Baggins and possibly his father, Bungo Baggins. This was not the hometown of Frodo, as he was born in Buckland, but he was permitted to live in this area after Bilbo made him the heir to Bag End. I will cover the ownership, architecture, and layout of Hobbiton while comparing it to real-world history before providing the first animatic of the project.

Lord of the Rings: The Animated Musical | Characters: Elanor Gardner Fairbairn

In past essays, I have given a lot of thought to Elanor Gardner Fairbairn, a minor character of great importance who would become a major character in the hypothetical musical. She first appeared during “Overview of Appendix A” with the mention of her birthdate, 25 March Third Age (T.A.) 3021 / Fourth Age (F.A.) 1 / Shire Reckoning (S.R.) 1421, which served not only as a symbol of rebirth after the worldwide War of the Ring but also as a demonstration on how tricky the calendars of Middle-earth can be . Her husband, Fastred of Greenholm, received a mention in “Appendix A, II The Kings of the Mark” , and a full explanation of her work as an editor of The Red Book of Westmarch was given in “Framing Device” just two weeks ago. Rather than reviewing her life and occupation as I have done previously, I now turn to physical appearance, especially personal clothing style.

Lord of the Rings: The Animated Musical | Christopher Tolkien Centenary Conference

On Saturday, November 23 and Sunday, November 24, I attended the two-day webinar, the Christopher Tolkien Centenary Conference hosted by the Tolkien Society via Zoom. Past readers of the blog know that I am a big fan of conferences, both in-person and virtual, so this was a great opportunity to combine my love of intense learning events with my research for the hypothetical animated musical. Even as someone on the younger end of attendees, I felt right at home through the friendly chat, the generous speakers, and my extensive knowledge of the Legendarium. Here are my favorite highlights from each talk, minus anything that seemed to be proprietary information. Any mistakes are likely because I have been up since 4:45 a.m. watching this conference. For naming conventions, as said succinctly by James Tauber, “It’s become a common convention in Tolkien studies to use Tolkien to refer to the father and Christopher to refer to the son”, so I will do the same in this summary. Sa...

Lord of the Rings: The Animated Musical | Appendix F, II On Translation

At last, I arrive at the final section of the appendixes. After a hundred and fifty pages of comparing Middle-earth history to real-world history, I have an even stronger grasp of how Tolkien used his expertise as a philologist and historian to build a fantasy world rooted in fact. This will serve as a solid foundation for future research as I move into the dialog portion of the text and reveal vignettes for the hypothetical animated musical.

Lord of the Rings: The Animated Musical | Races: Maiar, Wizards & Balrogs

During this week and next week, I am taking a brief break from the appendixes to create more illustrations for the people of Middle-earth. I will focus on Maiar, a Race of angel-like or god-like beings who traveled as invisible spirits or took a wide range of physical forms. While this term did not appear in The Lord of the Rings , many Maiar appeared in the text, and explanations of Maiar and their powers were given in The Silmarillion . Wizards and balrogs will appear this week, while Maiar symbolizing the environment and crafts will appear next week.

Lord of the Rings: The Animated Musical | Appendix E: Writing & Spelling, I Pronunciation

The first part of “Appendix E: Writing and Spelling”, focused on pronunciation. I am notoriously bad at pronouncing words that I only know by sight, some of my favorites being liaison, epitome, Yosemite, and mischievous. Because I learned most of my vocabulary from reading, I rarely heard more difficult words pronounced aloud until high school or college, when I learned the hard way that what I heard in my head was not the generally accepted way to say the word. I tended to think my linguistic snafus were pretty funny.

Lord of the Rings: The Animated Musical | Appendix D: Shire Calendar

While Appendix D is named for the Shire Calendar, this section actually covers calendars from multiple Middle-earth cultures spanning thousands of years. The construction of these calendars presented an unresolved mystery: why were they so similar to modern Western calendars? A real-world explanation was that Tolkien was most familiar with the Gregorian calendar, but a Middle-earth explanation was more complex.

Lord of the Rings: The Animated Musical | Appendix C: Family Trees

Happy Hobbit Day to all those who observe! This essay is posted on September 22, the birthdays of Bilbo and Frodo Baggins, along with the autumnal equinox and the beginning of fall. The American Tolkien Society declared this a holiday in 1978, and since then, Middle-earth fans have celebrated with plenty of food and no shoes. While some fun-hating detractors argue that the celebration should really take place between September 12 and 14, owing to differences between the Gregorian calendar and the Shire calendar, a discussion of calendars will appear in two weeks and no longer be dwelt upon here. This week is dedicated to family trees. Genealogists gasp in delight upon reaching Appendix C, selections from the family trees of Hobbits first described back in Prologue, “1 Concerning Hobbits” : “The genealogical trees at the end of the Red Book of Westmarch are a small book in themselves… Hobbits delighted in such things, if they were accurate… set out fair and square with no c...