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Lord of the Rings: The Animated Musical | Anachronistic Gifts

The morning after Bilbo disappeared during his Long-Expected Party, his heir Frodo took the brunt of the backlash while handing out gifts labeled with insults written by Bilbo. These gifts were remarkable not only for their snide nature but also for being more modern than other gifts given throughout The Lord of the Rings . While variations of these objects had existed for centuries, if not millennia, their status as items once owned by a single person suggested once again that the Shire had entered an early industrial revolution, allowing goods to be mass manufactured at prices that were a fraction of previous costs. Even with these reductions, such gift-giving was an extravagant display of wealth, especially when considering how Bilbo left the remainder of possessions to Frodo. In this essay, I will review the items given to the ungrateful relatives, describe the history of similar objects in the Real World, and reveal how some of these insults were even worse than what appea...

Lord of the Rings: The Animated Musical | Framing Device

In my first essay after my winter holiday hiatus, I begin a new chapter to Lord of the Rings: The Animated Musical where I describe the process of research and producing a hypothetical adaptation of the bestselling book series by British linguist J.R.R. Tolkien. At last, I will begin presenting selections of dialogue and music to accommodate the concept art that I began creating in 2024. Composers commonly make demo recordings of their work using themselves or their friends as the performing artists, from “I’m in the Middle of a Muddle” for the 1950 Disney animation Cinderella sung by middle-aged male songwriters Mack David , Al Hoffman , and Jerry Livingston instead of a peppy young woman like the title character, or an early version of “How Far I’ll Go” for the 2016 Disney animation Moana sung by Broadway star Phillipa Soo , a close friend of its songwriter Lin-Manuel Miranda , since her voice perfectly matched the protagonist. But before I reveal my own demo reel, I ne...

Lord of the Rings: The Animated Musical | Flashbacks

This essay is about flashbacks, one explanation for how humans perceive time and memory. Unlike some of my diatribes, the post is blessedly short for those of you without much spare time. Flashbacks have been used on stage and in film for over a century, but new techniques continue to appear. Medical professionals now use the term “flashback” to describe a symptom of post-traumatic stress disorder (PTSD), although not all experts agree if this is a required symptom for diagnosis. As for its connection to The Lord of the Rings , characters use flashbacks when attempting to recall what has happened to them or to people in their communities. Despite the presence of an actual timeline in “Appendix B: The Tale of Years” , the timeline in the dialogue portion is shaky. Characters frequently misremember the past, receive glimpses of the future, and even become confused about the current date in the present. My goal in the animated musical is to preserve these flashbacks while drawing ...

Lord of the Rings: The Animated Musical | Rings in Literature

After the Long-Expected Party — and in the case of the hypothetical animated musical, not long after “The Want Song” — Gandalf joined Bilbo in his house and demanded that his hobbit friend give up the One Ring. Bilbo initially reacted badly, as the ring had gained some control over him, but he eventually left the ring to his ‘nephew’, Frodo, along with most of his worldly possessions. Rings have appeared in fiction throughout world literature, spawning dozens of folkloric motifs and inspiring adaptations of ancient stories for stage and film.